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Paul Maine

Software Engineer, Musician and Life Long Learner

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Paul Maine

Major Triad Workout and Resources

August 6, 2009 By Paul Maine

Let’s be honest – do you really know all of your major triads in all12 keys? Do you know  the root position and the first and second inversions in all twelve keys? I mean really know – the kind of know that you don’t have to think about it you know it so well. Can you play the attached triad exercises accurately at a very fast tempo?

If you answered no to any of these questions then this post is for you. In addition to the supplied exercises I will point you to several other resources for improving your triad skills.

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Additional Resources:

In chapter 4 of the following Bert Ligon book, “Triadic Generalization” is discussed.

In chapter 15 of the following Bert Ligon book, “Extended Tertian Structures & Tridac Superimposition” is discussed.

In chapter 3 of the following book Bert Ligon provides many nice ideas and exercises related to “Triads & Generalization”.

In the following book Ernie Watts provides some very nice triad exercises.

The following book by Walt Weiskopf on “Intervalic Improvisation” is based upon using triad pairs and their various inversions.

Exercises 1-12 of “Patterns For Jazz” contain excellent triad exercises. If you don’t yet have this book you should add it to your “Must Have” list.

Be sure to check out the following items from Steve Neff at Neff Music:
“The Ultimate II-V-I Primer” this is an excellent beginning book.
The following Steve Neff lessons are also very good for triads:
“In A Mellow Tone with Triads-Video”
“Major Triad Samba”

Be sure to check out Evan Tates 250 Jazz Patterns

Have fun mastering the major triads!

Filed Under: Jazz Aids Tagged With: 250 Jazz Patterns, Bert Ligon, Evan Tate, major triad, Steve Neff, triad exercises, walt weiskopf

Anthropology Contrafact backing tracks in all 12 keys ( Bossa:Quarter =110 )

July 12, 2009 By Paul Maine

Learning to play bebop is a tall order for the beginning improvisor. The fast tempos require knowing your chords and scales inside and out.  You must also  have very good technical capabilities on your instrument. In April of this year I created a post for an Anthropology contrafact in all 12 keys with charts and backing tracks. I have received suggestions subsequently asking me to create backing tracks for Anthropology at a much slower tempo. The following tracks are the Anthropology chord changes with a bossa rhythm section at a tempo of a quarter at 110. If you need the charts you can obtain them from my Anthropology contrafact post. Be sure to practice in all 12 keys.

In the near future I will be posting some charts with some basic ideas to start with when playing over these changes.

Anthropaulogy in the Key of C follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyc_110compressed.mp3[/podcast]

Anthropaulogy in the Key of Db follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeydflat_110compressed.mp3[/podcast]

Anthropaulogy in the Key of D follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyd_110compressed.mp3[/podcast]

Anthropaulogy in the Key of Eb follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyeflat_110compressed.mp3[/podcast]

Anthropaulogy in the Key of E follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeye_110compressed.mp3[/podcast]

Anthropaulogy in the Key of F follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyf_110compressed.mp3[/podcast]

Anthropaulogy in the Key of Fsharp follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyfsharp_110compressed.mp3[/podcast]

Anthropaulogy in the Key of G follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyg_110compressed.mp3[/podcast]

Anthropaulogy in the Key of Ab follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyaflat_110compressed.mp3[/podcast]

Anthropaulogy in the Key of A follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeya_110compressed.mp3[/podcast]

Anthropaulogy in the Key of Bb follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeybflat_110compressed.mp3[/podcast]

Anthropaulogy in the Key of B follows:
[podcast]https://paulmaine.com/wp-content/uploads/anthropaulogykeyb_110compressed.mp3[/podcast]

Filed Under: Standards Tagged With: all 12 keys, Anthropology, backing tracks, bossa

Christmas Eve Performance

July 10, 2009 By Paul Maine

The Jazz ensemble will be performing from 6:30-7PM at CrossPoint Church. CrossPoint Church is located at 5703 McNeil Drive
Austin, Texas 78729. The church service starts at 7PM. You can visit the CrossPoint Church website for directions.

Filed Under: Events

Wedding

July 10, 2009 By Paul Maine

Filed Under: Events

First thoughts on using the TC-Helicon Live 2 on Saxophone

June 29, 2009 By Paul Maine

This past weekend I visited with Don Kelly in Houston Texas. Don had recently purchased the TC-Helicon Live 2 for use with his saxophone and flute. The TC-Helicon is designed for voice harmony and effects however it works nicely on saxophone and flute. I was able to experiment with it for about 15 minutes. Don had already created a few setups that were tailored to sax and flute. The effects and harmony capabilities were awesome. The effects were even more awesome when listening in headphones. I definitely plan to add one of these to my wish list.

Have you used the TC-Helicon with saxophone or flute? If yes, please share your experiences.

Filed Under: Gear Tagged With: Don Kelly, saxophone, TC-Helicon

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